Formalizing the declaration of A Tribe Called Red's 2016 album We Are the Halluci Nation by adopting it as their new name, the Halluci Natio...
Stepping out from their main gigs with Last Ex, FET.NAT and VICTIME on the self-titled debut from their new project Album, Olivier Fairfield...
On My Molecules, I M U R singer Jenny Lea often sound like she's given up. The songs are full of Lea's stories of co-dependency and self-med...
Cycles and decay are everywhere in ambient music. As characteristic properties, they effectively speak to the minimalist, generative nature...
Following the breakthrough success of her sophomore classic Ingénue and her subsequent coming out, k.d. lang occupied a curious corner of mu...
A crisis of identity has arguably haunted Vallens from their early days, so it makes sense they'd mostly step back from the guitars on this...
On the cover of her third album, Jessy Lanza reclines in the front seat of a minivan, one foot on the dash, her name and the album title scr...
"I guess we should be honest with you. We're done in January. That's it." Hunched across the table from bassist Kat McGouran in a booth...
As climate anxiety worsened and world leaders ignored mounting pleas from scientists, the climate emergency defined the way we looked at the...
Two-and-a-half-hour compilation Tunes 2011-2019 works its way backwards through the last decade of Burial's output, but like many of the pro...
Better known as a visual artist who's worked with Björk, Arca and FKA twigs, Jesse Kanda has established himself as a go-to hand behind some...
With fewer than 14 years in the game, and enough chart clout to hang with the legacy artists she looked up to before entering it, Robyn Fent...
David Psutka has just delivered a walk-through of all the synths adorning the wall of his Etobicoke, ON studio when things take an abrupt tu...
It starts with an ending. Simultaneously signalling the end of guitarist Tom Ng's former Hong Kong-based trio Offset:Spectacles and the...
After an apologetic preamble about VPNs and time zone differences, Gong Gong Gong bassist Joshua Frank brushes away any half-baked "made in...
Directly recalling avant-garde composer Jon Hassell's fourth world music, an aesthetic he described as "a unified primitive/futuristic sound...
"This festival's brought to you by the nothingness inside of you." One hand on a mic and the other resting on his stomach, Matty Matheso...
On the fourth full-length from her Pharmakon project, Margaret Chardiet offers an allegory for grief and the self-destructive nature of huma...
Climbing a long set of stairs and riding an elevator further into the sky, at the top of 7 Doigts, the swaying piano experiments of Rachel N...
Doors opening just the moment their scheduled performance began, audiences arriving at 7 Doigts followed the sound of curious electroacousti...
