
Un Blonde shows are always unpredictable, but perhaps even more so when Jean-Sébastien Audet is playing solo. In his small patch of stage, A...
Un Blonde shows are always unpredictable, but perhaps even more so when Jean-Sébastien Audet is playing solo. In his small patch of stage, A...
Brigitte Naggar's lullabye-like voice is the centrepiece of Common Holly's pensive, delicate pop that's prone to the odd chaotic moment. The...
Nap Eyes sit at an interesting moment. Their Canadian indie rock fame is well-earned, and they have a record deal, booking managers and the...
ggpeach delivered a set for the slow dancers, playing pop songs with an R&B/soul foundation. But gg stretches things out as she sings, makin...
Pottery blasted through their set of psych-tinged rock as l'Esco got more and more packed. The Montreal five-piece built up layers of fuzzy,...
The melancholic folk songs of Tamara Lindeman were made all the more beautiful by a band, including some veterans of Canadian indie rock — W...
Fog Lake played cuts off their excellent record, Captain, released earlier this year. They play at a shoegaze pace, but forgo the excessive...
Best Fern entranced with some new songs at the Rialto Hall, as the crowd listened intently, seated on the wooden floor. The duo is a collabo...
Toronto's Rapport got their first taste of Montreal (playing with this band, at least) with a prime opening spot, between local high-fructos...
Palm led us along their trippy path, and they were happy to have us with them. They let their music do the talking, except for a timid "merc...
Karneef brought his unique brand of dance-y, electrified grooves to l'Esco. No stranger to POP (though, he noted, he had a little trouble sh...