Tomb Mold maintain their inhuman release pace with the arrival of Planetary Clairvoyance, the followup to last year's acclaimed Manor of Inf...

When her relationship ended, Alexandra Levy (Ada Lea) wrote in her journal for 180 days as a way to work through her emotions and reconnect...

Creative restlessness has been a hallmark of Dev Hynes' career since day one. From his days in Test Icicles through his time as Lightspeed C...

David Lowery is the only musician-mathematician to have ever successfully sued Spotify. (A class action suit that he initiated was settled i...

Since the early 2000s, Scott Hansen (aka Tycho) has steadily built a following with his unique take on downtempo electronic music. Each rele...

You've heard Cool Car before. Well you haven't, but you've heard all its key elements, from its Toronto rock alum membership to the catchy g...

The latest album from Bleached is full of intentions, yet it feels like the band got cold feet when it came to following through.   Each t...

Black to Comm, aka Marc Richter, has produced rugged and disturbing works of sample manipulation, standing like a dystopian monoliths in a g...

You need more than one hand to count the number of genres that have been ascribed to Khruangbin: funk, psychedelic, dub, world, jazz and sou...

Scorched by regretful exes, sleazy, power-wielding bosses and soulless property developers, Vancouver quartet Necking push back with nine eq...

Bursting out of the remains of Finland's Vorum like an adrenalized, rabid beast, Concrete Winds seek to make their newfound form known far a...